Document Type
Article
Publication Date
2018
Abstract
In law’s visual economy our commitment to justice grows out of a renewed encounter with an interior libidinal source whose ongoing collective investment binds us to the nomos in which we live. We experience this corporeal bond in paintings, films, and video images on screens large and small. In the ethically inflected aesthetic of post-secular jurisprudence, justice is to law as beauty is to art. As distant as an abstract expressionist canvas, as close as any neighbor, or indeed any screen on which the neighbor becomes real to us. That is where we behold the source and instantiation of law’s judgment and authority.
Recommended Citation
Sherwin, Richard, "What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence" (2018). Articles & Chapters. 1138.
https://digitalcommons.nyls.edu/fac_articles_chapters/1138
Included in
Communications Law Commons, Entertainment, Arts, and Sports Law Commons, Privacy Law Commons
Comments
What Authorizes the Image, Chapter 14 in Law and the Visual: Representation, Technologies, and Critique at 330-353 (D. Manderson, ed, University of Toronto Press, 2018)